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Contents © 2000-2004 John Farnsworth
unless otherwise noted.
All items offered subject to prior sale.
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KACHINAS
JOHN FARNSWORTH
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| KWEO (Wolf Kachina)
Acrylic on Canvas 48 x 60 inches. This painting from my own
collection will be available for purchase at the
Museum of Fine Arts
in Santa Fe, New Mexico event,
Collect New Mexico,
June 23, 2005. Part of the proceeds will go to the Museum of Fine
Arts and part to the Santa Fe Gallery Association. For information,
contact Keith Roth, Chairman, Fine Arts Committee, Museum of fine
Arts, P.O. Box 2087, Santa Fe, new Mexico, 87504-2087. 505 476-5072,
fax 505 476-5076 Click on the thumbnail for an enlarged version. |
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SIVU'IKWTAQA
Pot Carrier Man
mixed dance runner
watercolor 9" x 12"
SOLD$550
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HOCHANI (?)
Hootani Katsina
Borrowed from Zuni
watercolor 9" x 12"
SOLD |
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HOPI
BUTTERFLY MAIDEN
(Not a Kachina, but a Social Dance Member)
watercolor 6" x 9"
SOLD$425 |
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NUVA- KATSIN-MANA
Snow Maiden Kachina
watercolor 9" x 12"
SOLD
Collection of Eric Weber and Jay Olson |
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SIO
AVACHOYA
Zuni Corn Kachina
Appears at First Mesa for Poyamu
watercolor 6" x 9"
SOLD |
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SUSUK HOLI
Hooli Katsina
watercolor 6" x 9"
SOLD |
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MASAW KATSINA
Masao
Spirit of the Earth Gods
watercolor 9" x 12"
SOLD$550 |
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KWEO
Wolf Kachina
Carved by Wilson Tawaquaptewa
watercolor 9" x 12"
SOLD$550 |
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OGRE
KATSINA
watercolor 9" x 6"
SOLD$425 |
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HOCHANI
Hootanikatsina
Borrowed from Zuni
watercolor 8" x 5"
SOLD$400 |
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WHY KACHINAS? |
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I was born in Williams, Arizona and grew up in Northern Arizona, in the shadow of
the Navajo and Hopi Reservations.
At the age of nine, I visited Taos, my
mother’s birthplace. In the galleries of Taos, I realized that I would
be an artist.
Following High School, I studied independently,
and painted in my spare time while working at jobs that included
managing a small private museum and Indian shop, working as a trader on
the Navajo Reservation, and as Preparator at the Museum of Northern
Arizona, under Kachina expert and author Barton Wright.
In 1967, I began camping and traveling among
the
Navajo and Pueblos at every opportunity; sketching, painting, and
attending ceremonials. |
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NIMAN
Oil on Masonite panel
48" X 48"
Sold
Collection:
Terry Thomas
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In 1968, I decided to devote myself to painting
full-time. I continued painting Indian and Indian related subjects for
the next ten years, with a year off to paint in Mexico in 1973.
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KIVA
(Koyemsim,
or Mudheads)
Oil
on Masonite
48"
X 48"
NFS
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Then, in
1977, I quit painting Indian subjects. I was feeling burned out; as
though I’d been run over by the band-wagon of Indian-subject
popularity. I also stopped attending Kachina dances because of my
embarrassment over the crowding and rude, thoughtless behavior of so
many non-Indians.
After a couple of years, however, the Kachinas
found their way back into my consciousness. While I now paint many
different subjects, ranging from animals to people, from still life to
landscape, Kachinas remain an important part of my work.
Kachinas,
like the Mexican Masks that I also paint, interest me not as artifacts;
I've seen them painted that way, and, somehow, always felt the point has
been missed. They are so much more than that. When one puts on a mask, one
takes on a different identity. Becomes someone or something else. It is
primarily this sense of life, of otherness, of enhanced possibilities, I
believe, that attracts me. There are many other reasons, such as these
from a piece I wrote for the UCLA Fowler Museum exhibition catalog KATSINA
by Zena Pearlstone:
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I paint Kachinas
because: |
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they are there.
they are beautiful.
they are a part of me.
they are timeless and enduring.
they are intriguing and mysterious.
they are powerful and evocative and alive.
they are carved and textured and painted and aged.
they are feathered and masked and costumed or unclothed.
they are primordial and sophisticated and speak of other worlds.
they are carriers of messages and of prayers and bringers of rain and
life.
they are subtle and complex, terrifying and comforting, animal, man,
spirit, cloud.
they are hope and fear, promise and admonition, deliverance and
instruction, comfort and song.
they are of the earth and of the sky and
of the air and of the water that flows through every thing.
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| The Kachina dolls from which my paintings are
usually derived are in the Southwest Museum in Los Angeles, The Heard
Museum in Phoenix, the International Folk Art Museum in Santa Fe, or the
Millicent Rogers Museum in Taos. Some are from private collections,
including my own.
I
am sometimes asked whether the Hopi
and Zuni people are offended by my painting the Kachinas. I have never
known them to be. I am not trying to replicate or imitate Kachinas. Like
the many non-Indians who have written about them, I am merely reporting
on them, and on their visual beauty by which I have been so moved.
Acrylic,
oil, oil pastel, pastel, watercolor, drawing, and various print forms
have all been used in my Kachina works.
In
fact, I often depict a given Kachina in more than one medium; sometimes
in several:
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Additional Kachinam...
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More Kachinas
coming soon... |
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SPACERBAR
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