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Contents © 2000-2004 John Farnsworth unless otherwise noted.
All items offered subject to prior sale.

 


KACHINAS
JOHN FARNSWORTH

 
KWEO (Wolf Kachina) Acrylic on Canvas 48 x 60 inches. This painting from my own collection will be available for purchase at the Museum of Fine Arts in Santa Fe, New Mexico event, Collect New Mexico, June 23, 2005. Part of the proceeds will go to the Museum of Fine Arts and part to the Santa Fe Gallery Association. For information, contact Keith Roth, Chairman, Fine Arts Committee, Museum of fine Arts, P.O. Box 2087, Santa Fe, new Mexico, 87504-2087. 505 476-5072, fax 505 476-5076 Click on the thumbnail for an enlarged version.
 
 

50

 

WUPOMO KACHINA
(Beak Missing?)
watercolor
6x9 inches
$600
 
 

Seven new Kachina watercolors! Posted November 29, 2004

  50
 
     
HÉ-É-É KACHINA
watercolor
9X12 inches
$800
  ZUÑI  SHALAKO KACHINA
watercolor
9x12 inches
$800
         
OWAKTSINAM
(COAL KACHINAS)
9x12 inches
$800
  ZUÑI SIO SHALAKO KACHINA
watercolor
9x12 inches
$800
SOLD
         
SIKYA-CHANTAKA
(RAIN MESSENGER)
watercolor
9x12 inches
$800

SOLD
  CROW MOTHER
KACHINA(WINGLESS)
watercolor
9x12 inches
$800
SOLD
         

 

         
         
SIVU'IKWTAQA
Pot Carrier Man
mixed dance runner
watercolor 9" x 12"
SOLD$550
 
  HOCHANI (?)
Hootani Katsina
Borrowed from Zuni
watercolor 9" x 12"
SOLD
         
       
         
HOPI BUTTERFLY MAIDEN
(Not a Kachina, but a Social Dance Member)
watercolor 6" x 9"
SOLD$425
  NUVA- KATSIN-MANA
Snow Maiden Kachina
watercolor 9" x 12"
SOLD
Collection of Eric Weber and Jay Olson
       
       
         
SIO AVACHOYA
Zuni Corn Kachina
Appears at First Mesa for Poyamu
watercolor 6" x 9"
SOLD
  SUSUK HOLI
Hooli Katsina
watercolor 6" x 9"
SOLD
         
         
         
MASAW KATSINA
Masao
Spirit of the Earth Gods
watercolor 9" x 12"
SOLD$550
  KWEO
Wolf Kachina
Carved by Wilson Tawaquaptewa
watercolor 9" x 12"
SOLD$550
         
         
         
OGRE KATSINA
watercolor 9" x 6"
SOLD$425
  HOCHANI
Hootanikatsina
Borrowed from Zuni
watercolor 8" x 5"
SOLD$400
         
       
CLICK ON THE IMAGES BELOW FOR AN ENLARGEMENT AND MORE INFO
       

WOLFIE SHALAKO BLUE HO'OTE OGRE'S UNCLE

KOYEMSIM PAHLIK 'MANA SIO SHALAKO SNOW MAIDEN
ZUNI VELVET SHIRT NIGHT WAKAS HOLI IV 2 HOLI IV

.

.
WAKAS II KWAA (EAGLE) HAKTO II CHAVEYO
. . . .
WAKAS SIO CALAKO STARGAZER MTN LION
CLICK FOR INFORMATION AND ENLARGEMENT CLICK FOR INFORMATION AND ENLARGEMENT CLICK FOR INFORMATION AND ENLARGEMENT CLICK FOR INFORMATION AND ENLARGEMENT
AHOLA STARGAZER FROM THE MYTH SHALAK'MANA
CLICK FOR INFORMATION AND ENLARGEMENT HUMMINGBIRD KACHINA oil on paper 2" x 3" sold OGRE KACHINA oil pastel on panel 12" x 16" US$1200 THE THE OGRES COMETH KACHINA watercolor 10" x 14" US$980
CHUCKLES HUMMINGBIRD WHIPPER'S UNCLE OGRES COMETH
Scroll down to see more Kachinas .= sold .=available as Giclée
       
     
  WHY KACHINAS?  
     
  I was born in Williams, Arizona and grew up in Northern Arizona, in the shadow of the Navajo and Hopi Reservations.

At the age of nine, I visited Taos, my mother’s birthplace. In the galleries of Taos, I realized that I would be an artist.

Following High School, I studied independently, and painted in my spare time while working at jobs that included managing a small private museum and Indian shop, working as a trader on the Navajo Reservation, and as Preparator at the Museum of Northern Arizona, under Kachina expert and author Barton Wright.

In 1967, I began camping and traveling among the
Navajo and Pueblos at every opportunity; sketching, painting, and attending ceremonials.

 
 

NIMAN

Oil on Masonite panel

48" X 48"

Sold

Collection:

Terry Thomas

 

 

 
  In 1968, I decided to devote myself to painting full-time. I continued painting Indian and Indian related subjects for the next ten years, with a year off to paint in Mexico in 1973.  

KIVA

(Koyemsim, or Mudheads)

Oil on Masonite 

48" X 48"

NFS

     
  Then, in 1977, I quit painting Indian subjects. I was feeling burned out; as though I’d been run over by the band-wagon of Indian-subject popularity. I also stopped attending Kachina dances because of my embarrassment over the crowding and rude, thoughtless behavior of so many non-Indians.

After a couple of years, however, the Kachinas found their way back into my consciousness. While I now paint many different subjects, ranging from animals to people, from still life to landscape, Kachinas remain an important part of my work.

Kachinas, like the Mexican Masks that I also paint, interest me not as artifacts; I've seen them painted that way, and, somehow, always felt the point has been missed. They are so much more than that. When one puts on a mask, one takes on a different identity. Becomes someone or something else. It is primarily this sense of life, of otherness, of enhanced possibilities, I believe, that attracts me. There are many other reasons, such as these from a piece I wrote for the UCLA Fowler Museum exhibition catalog KATSINA by Zena Pearlstone:

I paint Kachinas because:

 

they are there.
they are beautiful.
they are a part of me.
they are timeless and enduring.
they are intriguing and mysterious.
they are powerful and evocative and alive.
they are carved and textured and painted and aged.
they are feathered and masked and costumed or unclothed.
they are primordial and sophisticated and speak of other worlds.
they are carriers of messages and of prayers and bringers of rain and life.
they are subtle and complex, terrifying and comforting, animal, man, spirit, cloud.
they are hope and fear, promise and admonition, deliverance and instruction, comfort and song.
they are of the earth and of the sky and of the air and of the water that flows through every thing.

 
The Kachina dolls from which my paintings are usually derived are in the Southwest Museum in Los Angeles, The Heard Museum in Phoenix, the International Folk Art Museum in Santa Fe, or the Millicent Rogers Museum in Taos. Some are from private collections, including my own.

I am sometimes asked whether the Hopi and Zuni people are offended by my painting the Kachinas. I have never known them to be. I am not trying to replicate or imitate Kachinas. Like the many non-Indians who have written about them, I am merely reporting on them, and on their visual beauty by which I have been so moved.

Acrylic, oil, oil pastel, pastel, watercolor, drawing, and various print forms have all been used in my Kachina works.

In fact, I often depict a given Kachina in more than one medium; sometimes in several: 

 

 

HOUSE BLESSER Oil on Canvas 50" x 40" CLICK FOR INFORMATION AND ENLARGEMENT          HOME BLESSER 18" X 11" Watercolor CLICK FOR INFORMATION AND ENLARGEMENT          HOME BLESSER II CLICK FOR INFORMATION AND ENLARGEMENT

 

 

LONGMANA Collection: Wilson and Gai Williams, Phoenix, Arizona

Additional Kachinam...

    WARRIOR MOUSE III KACHINA 9" X 6"  WATERCOLOR SOLD CHUCKLES II Oil on Canvas 16" x 12" sold WARRIOR MOUSE II KACHINA 9" X 6" WATERCOLOR SOLD    
             
             
    DUAL FORCES Watercolor 10" x 14" sold CROWMAMA Watercolor 10" x 14" sold CROWMAMA Watercolor 6" x 9" US$350    
             
             
    CHAVEYO PIGGYBACK KACHINA watercolor 10" x 14"  US$980 CALAKO MANA'S PRAYER KACHINA  watercolor 10" x 14" sold HAKTO 2 KACHINA acrylic on canvas 36" X 48" sold    
             
             
    HOLI IV 2 acrylic on canvas 36" x 48" US$8500 THE THE OGRES COMETH KACHINA watercolor 10" x 14" US$980 HOLI KACHINA watercoloror 22" x 30" sold    
             
             
    HAVASUPAI KACHINA (Hopi representation of a Havasupai Indian Spirit)  oil pastel/paper 16" x 20" Sold BADGER KACHINA 16" x 20" oil pastel on paper Sold OGRE KACHINA 20" x 16" oil pastel on paper $480    
             
    More Kachinas coming soon... MOCKINGBIRD KACHINA 16" x 20" oil pastel/paper $480    
             
 

 

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